Introduction
Ground
Water
Fire
Wind
Void
The Water Book
The spirit of the Ni Ten Ichi
school of strategy is based on water, and this Water Book
explains methods of victory as the long-sword form of the Ichi
school. Language does not extend to explaining the Way in detail,
but it can be grasped intuitively. Study this book; read a word
then ponder on it. If you interpret the meaning loosely you will
mistake the Way.
The principles of strategy are
written down here in terms of single combat, but you must think
broadly so that you attain an understanding for
ten-thousand-a-side battles.
Strategy is different from other
things in that if you mistake the Way even a little you will
become bewildered and fall into bad ways.
If you merely read this book you
will not reach the Way of strategy. Absorb the things written in
this book. Do not just read, memorize or imitate, but so that you
realize the principle from within your own heart study hard to
absorb these things into your body.
SPIRITUAL BEARING IN STRATEGY
In strategy your spiritual
bearing must not be any different from normal. Both in fighting
and in everyday life you should be determined though calm. Meet
the situation without tenseness yet not recklessly, your spirit
settled yet unbiased. Even when your spirit is calm do not let
your body relax, and when your body is relaxed do not let your
spirit slacken. Do not let your spirit be influenced by your
body, or your body be influenced by your spirit. Be neither
insufficiently spirited nor over spirited. An elevated spirit is
weak and a low spirit is weak. Do not let the enemy see your
spirit.
Small people must be completely
familiar with the spirit of large people, and large people must
be familiar with the spirit of small people. Whatever your size,
do not be misled by the reactions of your own body. With your
spirit open and unconstricted, look at things from a high point
of view. You must cultivate your wisdom and spirit. Polish your
wisdom: learn public justice, distinguish between good and evil,
study the Ways of different arts one by one. When you cannot be
deceived by men you will have realized the wisdom of strategy.
The wisdom of strategy is
different from other things. On the battlefield, even when you
are hard-pressed, you should ceaselessly research the principles
of strategy so that you can develop a steady spirit.
STANCE IN STRATEGY
Adopt a stance with the head
erect, neither hanging down, nor looking up, nor twisted. Your
forehead and the space between your eyes should not be wrinkled.
Do not roll your eyes nor allow them to blink, but slightly
narrow them. With your features composed, keep the line of your
nose straight with a feeling of slightly flaring your nostrils.
Hold the line of the rear of the neck straight: instill vigor
into your hairline, and in the same way from the shoulders down
through your entire body. Lower both shoulders and, without the
buttocks jutting out, put strength into your legs from the knees
to the tips of your toes. Brace your abdomen so that you do not
bend at the hips. Wedge your companion sword in your belt against
your abdomen, so that your belt is not slack - this is called
"wedging in".
In all forms of strategy, it is
necessary to maintain the combat stance in everyday life and to
make your everyday stance your combat stance. You must research
this well.
THE GAZE IN STRATEGY
The gaze should be large and
broad. This is the twofold gaze "Perception and Sight".
Perception is strong and sight week.
In strategy it is important to
see distant things as if they were close and to take a distanced
view of close things. It is important in strategy to know the
enemy's sword and not to be distracted by insignificant movements
of his sword. You must study this. The gaze is the same for
single combat and for large-scale strategy.
It is necessary in strategy to
be able to look to both sides without moving the eyeballs. You
cannot master this ability quickly. Learn what is written here;
use this gaze in everyday life and do not vary it whatever
happens.
HOLDING THE LONG SWORD
Grip the long sword with a
rather floating feeling in your thumb and forefinger, with the
middle finger neither tight nor slack, and with the last two
fingers tight. It is bad to have play in your hands.
When you take up a sword, you
must feel intent on cutting the enemy. As you cut an enemy you
must not change your grip, and your hands must not
"cower". When you dash the enemy's sword aside, or ward
it off, or force it down, you must slightly change the feeling in
your thumb and forefinger. Above all, you must be intent on
cutting the enemy in the way you grip the sword.
The grip for combat and for
sword-testing is the same. There is no such thing as a
"man-cutting grip".
Generally, I dislike rigidity in
both long swords and hands. Rigidity means a dead hand.
Pliability is a living hand. You must bear this in mind.
FOOTWORK
With the tips of your toes
somewhat floating, tread firmly with your heels. Whether you move
fast or slow, with large or small steps, your feet must always
move as in normal walking. I dislike the three walking methods
know as "jumping-foot", "floating-foot" and
"fixed-steps".
So-called "Yin-Yang
foot" is important in the Way. Yin-Yang foot means not
moving only one foot. It means moving your feet left-right and
right-left when cutting, withdrawing, or warding off a cut. You
should not move on one foot preferentially.
THE FIVE ATTITUDES
The five attitudes are: Upper,
Middle, Lower, Right Side, and Left Side. These are the give.
Although attitude has these five divisions, the one purpose of
all of them is to cut the enemy. There are none but these five
attitudes.
Whatever attitude you are in, do
not be conscious of making the attitude; think only of cutting.
Your attitude should be large or
small according to the situation. Upper, Lower and Middle
attitudes are decisive. Left Side and Right Side attitudes are
fluid. Left and Right attitudes should be used if there is an
obstruction overhead or to one side. The decision to use Left or
Right depends on the place.
The essence of the Way is this.
To understand attitude you must thoroughly understand the middle
attitude. The middle attitude is the heart of attitudes. If we
look at strategy on a broad scale, the Middle attitude is the
seat of the commander, with the other four attitudes following
the commander. You must appreciate this.
THE WAY OF THE LONG SWORD
Knowing the Way of the long
sword means we can wield with two fingers the sword we usually
carry. If we know the path of the sword well, we can wield it
easily.
If you try to wield the long
sword quickly you will mistake the Way. To wield the long sword
well you must wield it calmly. If you try to wield it quickly,
like a folding fan or a short sword, you will err by using
"short sword chopping". You cannot cut down a man with
a long sword using this method.
When you have cut downwards with
the longsword, lift it straight upwards; when you cut sideways,
return the sword along a sideways path. Return the sword in a
reasonable way, always stretching the elbows broadly. Wield the
sword strongly. This is the Way of the longsword.
If you learn to use the five
approaches of my strategy, you will be able to wield a sword
well. You must train constantly.
THE FIVE APPROACHES
1. The first approach is the
Middle attitude. Confront the enemy with the point of your sword
against his face. When he attacks, dash his sword to the right
and "ride" it. Or, when the enemy attacks, deflect the
point of his sword by hitting downwards, keep your long sword
where it is, and as the enemy renews his attack cut his arms from
below. This is the first method.
The five approaches are this
kind of thing. You must train repeatedly using a long sword in
order to learn them. When you master my Way of the long sword,
you will be able to control any attack the enemy makes. I assure
you, there are no attitudes other than the five attitudes of the
long sword of Ni To.
2. In the second approach with
the long sword, from the Upper attitude cut the enemy just as he
attacks. If the enemy evades the cut, keep your sword where it is
and, scooping up from below, cut him as he renews the attack. It
is possible to repeat the cut from here.
In this method there are various
changes in timing and spirit. You will be able to understand this
by training in the Ichi school. You will always win with the five
long sword methods. You must train repetitively.
3. In the third approach, adopt
the Lower attitude, anticipating scooping up. When the enemy
attacks, hit his hands from below. As you do so he may try to hit
your sword down. If this is the case, cut his upper arm(s)
horizontally with a feeling of "crossing". This means
that from the lower attitudes you hit the enemy at the instant
that he attacks.
You will encounter this method
often, both as a beginner and in later strategy. You must train
holding a long sword.
4. In this fourth approach,
adopt the Left Side attitude. As the enemy attacks hit his hands
from below. If as you hit his hands he attempts to dash down your
sword, with the feeling of hitting his hands, parry the path of
his long sword and cut across from above your shoulder.
This is the Way of the long
sword. Through this method you win by parrying the line of the
enemy's attack. You must research this.
5. In the fifth approach, the
sword is in the Right Side attitude. In accordance with the
enemy's attack, cross your long sword from below at the side to
the Upper attitude. Then cut straight from above.
This method is essential for
knowing the Way of the long sword well. If you can use this
method, you can freely wield a heavy long sword.
I cannot describe in detail how
to use these five approaches. You must become well acquainted
with my "in harmony with the long sword" Way, learn
large-scale timing, understand the enemy's long sword, and become
used to the five approaches from the outset. You will always win
by using these five methods, with various timing considerations
discerning the enemy's spirit. You must consider all this
carefully.
THE "ATTITUDE
NO-ATTITUDE" TEACHING
"Attitude No-Attitude"
means that there is no need for what are know as long sword
attitudes.
Even so, attitudes exist as the
five ways of holding the long sword. However you hold the sword
it must be in such a way that it is easy to cut the enemy well,
in accordance with the situation, the place, and your relation to
the enemy. From the Upper attitude as your spirit lessens you can
adopt the Middle attitude, and from the Middle attitude you can
raise the sword a little in your technique and adopt the Upper
attitude. From the lower attitude you can raise the sword and
adopt the Middle attitudes as the occasion demands. According to
the situation, if you turn your sword from either the Left Side
or Right Side attitude towards the center, the Middle or the
Lower attitude results.
The principle of this is called
"Existing Attitude - Nonexisting Attitude".
The primary thing when you take
a sword in your hands is your intention to cut the enemy,
whatever the means. Whenever you parry, hit, spring, strike or
touch the enemy's cutting sword, you must cut the enemy in the
same movement. It is essential to attain this. If you think only
of hitting, springing, striking or touching the enemy, you will
not be able actually to cut him. More than anything, you must be
thinking of carrying your movement through to cutting him. You
must thoroughly research this.
Attitude in strategy on a larger
scale is called "Battle Array". Such attitudes are all
for winning battles. Fixed formation is bad. Study this well.
TO HIT THE ENEMY "IN ONE
TIMING"
"In One Timing" means,
when you have closed with the enemy, to hit him as quickly and
directly as possible, without moving your body or settling your
spirit, while you see that he is still undecided. The timing of
hitting before the enemy decides to withdraw, break or hit, is
this "In One Timing".
You must train to achieve this
timing, to be able to hit in the timing of an instant.
THE "ABDOMEN TIMING OF
TWO"
When you attack and the enemy
quickly retreats, as you see him tense you must feint a cut.
Then, as he relaxes, follow up and hit him. This is the
"Abdomen Timing of Two".
It is very difficult to attain
this by merely reading this book, but you will soon understand
with a little instruction.
NO DESIGN, NO CONCEPTION
In this method, when the enemy
attacks and you also decide to attack, hit with your body, and
hit with your spirit, and hit from the Void with your hands,
accelerating strongly. This is the "No Design, No
Conception" cut.
This is the most important
method of hitting. It is often used. You must train hard to
understand it.
THE FLOWING WATER CUT
The "Flowing Water
Cut" is used when you are struggling blade to blade with the
enemy. When he breaks and quickly withdraws trying to spring with
his long sword, expand your body and spirit and cut him as slowly
as possible with your long sword, following your body like
stagnant water. You can cut with certainty if you learn this. You
must discern the enemy's grade.
CONTINUOUS CUT
When you attack and the enemy
also attacks, and your swords spring together, in one action cut
his head, hands and legs. When you cut several places with one
sweep of the long sword, it is the "Continuous Cut".
You must practice this cut; it is often used. With detailed
practice you should be able to understand it.
THE FIRE AND STONES CUT
The Fires and Stones Cut means
that when the enemy's long sword and your long sword clash
together you cut as strongly as possible without raising the
sword even a little. This means cutting quickly with the hands,
body and legs - all three cutting strongly. If you train well
enough you will be able to strike strongly.
THE RED LEAVES CUT
The Red Leaves Cut [allusion to
falling, dying leaves. - Slaegr] means knocking down the enemy's
long sword. The spirit should be getting control of his sword.
When the enemy is in a long sword attitude in front of you and
intent on cutting, hitting and parrying, you strongly hit the
enemy's long sword with the Fire and Stones Cut, perhaps in the
spirit of the "No Design, No Conception" Cut. If you
then beat down the point of his sword with a sticky feeling, he
will necessarily drop the sword. If you practice this cut it
becomes easy to make the enemy drop his sword. You must train
repetitively.
THE BODY IN PLACE OF THE LONG
SWORD
Also "the long sword in
place of the body". Usually we move the body and the sword
at the same time to cut the enemy. However, according to the
enemy's cutting method, you can dash against him with your body
first, and afterwards cut with the sword. If his body is
immovable, you can cut first with the long sword, but generally
you hit first with the body and then cut with the long sword. You
must research this well and practice hitting.
CUT AND SLASH
To cut and to slash are two
different things. Cutting, whatever form of cutting it is, is
decisive, with a resolute spirit. Slashing is nothing more than
touching the enemy. Even if you slash strongly, and even if the
enemy dies instantly, it is slashing. When you cut, your spirit
is resolved. You must appreciate this. If you first slash the
enemy's hands or legs, you must then cut strongly. Slashing is in
spirit the same as touching. When you realize this, they become
indistinguishable. Learn this well.
CHINESE MONKEY'S BODY
The Chinese Monkey's Body
[short-armed monkey. - Slaegr] is the spirit of not stretching
out your arms. The spirit is to get in quickly, without in the
least extending your arms, before the enemy cuts. If you are
intent upon not stretching out your arms you are effectively far
away, the spirit is to go in with your whole body. When you come
to within arm's reach it becomes easy to move your body in. You
must research this well.
GLUE AND LACQUER EMULSION
BODY
The spirit of "Glue and
Lacquer Emulsion Body" is to stick to the enemy and not
separate from him. When you approach the enemy, stick firmly with
your head, body and legs. People tend to advance their head and
legs quickly, but their body lags behind. You should stick firmly
so that there is not the slightest gap between the enemy's body
and your body. You must consider this carefully.
TO STRIVE FOR HEIGHT
By "to strive for
height" is meant, when you close with the enemy, to strive
with him for superior height without cringing. Stretch your legs,
stretch your hips, and stretch your neck face to face with him.
When you think you have won, and you are the higher, thrust in
strongly. You must learn this.
TO APPLY STICKINESS
When the enemy attacks and you
also attack with the long sword, you should go in with a sticky
feeling and fix your long sword against the enemy's as you
receive his cut. The spirit of stickiness is not hitting very
strongly, but hitting so that the long swords do not separate
easily. It is best to approach as calmly as possible when hitting
the enemy's long sword with stickiness. The difference between
"Stickiness" and "Entanglement" is that
stickiness is firm and entanglement is weak. You must appreciate
this.
THE BODY STRIKE
The Body Strike means to
approach the enemy through a gap in his guard. The spirit is to
strike him with your body. Turn your face a little aside and
strike the enemy's breast with your left shoulder thrust out.
Approach with the spirit of bouncing the enemy away, striking as
strongly as possible in time with your breathing. If you achieve
this method of closing with the enemy, you will be able to knock
him ten or twenty feet away. It is possible to strike the enemy
until he is dead. Train well.
THREE WAYS TO PARRY HIS
ATTACK
There are three methods to parry
a cut:
First, by dashing the enemy's
long sword to your right, as if thrusting at his eyes, when he
makes an attack.
Or, to parry by thrusting the
enemy's long sword towards his right eye with the feeling of
snipping his neck.
Or, when you have a short
"long sword", without worrying about parrying the
enemy's long sword, to close with him quickly, thrusting at his
face with your left hand.
These are the three methods of
parrying. You must bear in mind that you can always clench your
left hand and thrust at the enemy's face with your fist. For this
it is necessary to train well.
TO STAB AT THE FACE
To stab at the face means, when
you are in confrontation with the enemy, that your spirit is
intent of stabbing at his face, following the line of the blades
with the point of your long sword. If you are intent on stabbing
at his face, his face and body will become ridable. When the
enemy becomes as if rideable, there are various opportunities for
winning. You must concentrate on this. When fighting and the
enemy's body becomes as if rideable, you can win quickly, so you
ought not to forget to stab at the face. You must pursue the
value of this technique through training.
TO STAB AT THE HEART
To stab at the heart means, when
fighting and there are obstructions above, or to the sides, and
whenever it is difficult to cut, to thrust at the enemy. You must
stab the enemy's breast without letting the point of your long
sword waver, showing the enemy the ridge of the blade square-on,
and with the spirit of deflecting his long sword. The spirit of
this principle is often useful when we become tired or for some
reason our long sword will not cut. You must understand the
application of this method.
TO SCOLD "TUT-TUT!"
"Scold" means that,
when the enemy tries to counter-cut as you attack, you
counter-cut again from below as if thrusting at him, trying to
hold him down. With very quick timing you cut, scolding the
enemy. Thrust up, "Tut!", and cut "TUT!" This
timing is encountered time and time again in exchange of blows.
The way to scold Tut-TUT is to time the cut simultaneously with
raising your long sword as if to thrust the enemy. You must learn
this through repetitive practice.
THE SMACKING PARRY
By "smacking parry" is
meant that when you clash swords with the enemy, you meet his
attacking cut on your long sword with a tee-dum, tee-dum rhythm,
smacking his sword and cutting him. The spirit of the smacking
parry is not parrying, or smacking strongly, but smacking the
enemy's long sword in accordance with his attacking cut,
primarily intent on quickly cutting him. If you understand the
timing of smacking, however hard your long swords clash together,
your swordpoint will not be knocked back even a little. You must
research sufficiently to realize this.
THERE ARE MANY ENEMIES
"There are many
enemies" applies when you are fighting one against many.
Draw both sword and companion sword and assume a wide-stretched
left and right attitude. The spirit is to chase the enemies
around from side to side, even though they come from all four
directions. Observe their attacking order, and go to meet first
those who attack first. Sweep your eyes around broadly, carefully
examining the attacking order, and cut left and right alternately
with your swords. Waiting is bad. Always quickly re-assume your
attitudes to both sides, cut the enemies down as they advance,
crushing them in the direction from which they attack. Whatever
you do, you must drive the enemy together, as if tying a line of
fishes, and when they are seen to be piled up, cut them down
strongly without giving them room to move.
THE ADVANTAGE WHEN COMING TO
BLOWS
You can know how to win through
strategy with the long sword, but it cannot be clearly explained
in writing. You must practice diligently in order to understand
how to win.
Oral tradition: "The true
Way of strategy is revealed in the long sword."
ONE CUT
You can win with certainty with
the spirit of "one cut". It is difficult to attain this
if you do not learn strategy well. If you train well in this Way,
strategy will come from your heart and you will be able to win at
will. You must train diligently.
DIRECT COMMUNICATION
The spirit of "Direct
Communication" is how the true Way of the Ni To Ichi school
is received and handed down.
Oral tradition: "Teach your
body strategy."
Recorded in the above book is an
outline of Ichi school sword-fighting.
To learn how to win with the
long sword in strategy, first learn the five approaches and the
five attitudes, and absorb the Way of the long sword naturally in
your body. You must understand spirit and timing, handle the long
sword naturally, and move body and legs in harmony with your
spirit. Whether beating one man or two, you will then know values
in strategy.
Study the contents of this book,
taking one item at a time, and through fighting with enemies you
will gradually come to know the principle of the Way.
Deliberately, with a patient
spirit, absorb the virtue of all this, from time to time raising
your hand in combat. Maintain this spirit whenever you cross
swords with and enemy.
Step by step walk the
thousand-mile road.
Study strategy over the years
and achieve the spirit of the warrior. Today is victory over
yourself of yesterday; tomorrow is your victory over lesser men.
Next, in order to beat more skillful men, train according to this
book, not allowing your heart to be swayed along a side-track.
Even if you kill an enemy, if it is not based on what you have
learned it is not the true Way.
If you attain this Way of
victory, then you will be able to beat several tens of men. What
remains is sword-fighting ability, which you can attain in
battles and duels. -----
The Second Year of Shoho, the
twentieth day of the fifth month (1645)
Teuro Magonojo
SHINMEN MUSASHI
Introduction
Ground
Water
Fire
Wind
Void
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